Mid-Century Modern LC/PJ-TAT-14-A Boomerang Table by Le Corbusier, 1960s

Here we see a decision to project the universal ideals of modernity onto Indian reality. However, this piece was inspired by North Indian culture, as well the cosmic and spiritual Indian perception, that changed the rationalist perception of Le Corbusier and Pierre Jeanneret in a substantial way. It exudes a strong aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. Not many design pieces offer that unusual quality. All massive parts are authentic. They are done Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. The legs are a dominant feature shaped like two intersecting bows. In his later work, Le Corbusier loved integrating embodiments of his philosophy into the shape. The symbolic elements he started implementing gave his pieces a much deeper meaning. After parting ways with pragmatical and functional thinking, he was rather focused on the mystical and the spiritual. Being strongly related to the spiritual, India was an ideal place where he could express his ideas of an eternal truth. As Le Corbusier was not interested in designing furniture pieces for Chandigarh project, this table is even more valuable. It has an original veneer on the top, which is very rare. The surface has been treated with shellac. The item is engraved on the side with lettering, which makes it more valuable. I am proud of this table, as it is the second I have ever got, so it also has a sentimental value. It is a very generous piece. Although the legs are eye-catching, the width of the table allows spacious dining settings. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural material and warm colour. By itself, this masterpiece holds a monumental expression, enriching every interior. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, ‘Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture’ (Paris: Gourcuff Gradenigo, 2011), 596-7. Edition Galerie Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret: Chandigarh, India’ (Paris: Galerie Patrick Seguin, 2014), 269, 289.