A pair of light brown ceramic bulb table lamps by Lotte and Gunnar Bostlund.

Such a rare thing to find a pair of these babes in the same glaze and color wave. A matte finish to the glaze with brown color variations throughout. Glazes vary slightly, no two the exact same. There is a felt bottom for protection on the tabletop surface.

Although the company history originates in Denmark, they relocated to Canada and also produced in the United States from 1950s to date. See all condition notes and photos for reference. No makers mark found.

Extra Dimensions:
Base: 7″diameter x 7.75″h

Ceramic Brown Bulb Table Lamp With Original Fiberglass Shade by Lotte and Gunnar Bostlund.

Finished in a classic dark brown matte glaze with original tan fiberglass lamp shade. A felt bottom for protection on the tabletop surface.

Although the company history originates in Denmark, they relocated to Canada and also produced in the United States from 1950s to date. See all condition notes and photos for reference. No makers mark found.

Dimensions:
Ceramic base: 6.5″diameter bulb x 7″h
Shade (tapers @ top): 9″h x 9.5″ diameter at bottom/6″ diameter at top

AMBIANIC presents
Contemporary Modern Raw Marble Table Lamps by Pablo Romo
Gray marble acid finish
18.75 h x 6.5 diameter
Original condition.
New wiring tested and working.
New limited production 1-1
No shades are included.
Review all images.

AMBIANIC presents
Contemporary Modern Polished Black Marble Table Lamps by Pablo Romo
18.75 h x 6.5 diameter
Original condition.
New wiring tested and working.
New limited production 1-1
No shades are included.
Review all images.

Large Ceramic Table Lamp With Original Fiberglass Shade by Lotte and Gunnar Bostlund.

Finished in an off-white matte glaze with original tan fiberglass lamp shade. This shade tapers into an A-shape. A felt bottom for protection on the tabletop surface.

Although the company history originates in Denmark, they relocated to Canada and also produced in the United States from 1950s to date. See all condition notes and photos for reference. No makers mark found.

Dimensions:
Ceramic base: 9.5″diameter x 12″h
Shade (tapers @ top): 12.25″h x 11″ diameter at bottom/ 6″ diameter at top

Large Ceramic Table Lamp With Original Fiberglass Shade by Lotte and Gunnar Bostlund.

Finished in an off-white matte glaze with original tan fiberglass lamp shade. This original shade has a slight taper to it. A felt bottom for protection on the tabletop surface.

Although the company history originates in Denmark, they relocated to Canada and also produced in the United States from 1950s to date. See all condition notes and photos for reference. No makers mark found.

Dimensions:
Ceramic base: 10.25″diameter x 12.5″h
Shade (tapers @ top): 11.5″h x 11.5″ diameter at bottom/ 9.75″ diameter at top

Modern table lamp by Carlo Nason, produced in Italy in Murano, in Pelugoso Murano glass and Incamiciato glass, the lamp was produced by the Murano.com glassworks. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution,
European Plug (up to 250V).The wiring of this item may be original and might need replacement, if not specified otherwise.

This stunning , iconic midcentury “Ball” lamp was designed in the 1980s by illustrious American designer Karl Springer. The hemisphere of polished chrome meeting at its edge creates a seamless orb bisected at its equator. It comes fitted with equally lustrous chrome light fixturing and small sphere as pulls which reiterate the design of the lamp.

Very good condition. Minor signs of light use. Chrome light fixtures are clean and bright. Each of the pulls and sockets work smoothly and as intended. The lamps sit stable and are well built.

Beautiful, organic modern string lamp shade is in absolute perfect condition. Rich shades of tan, bronw, ochre and rust complete this iconic look.

A table lamp – design of this lamp is from asger bay christiansen for asger bc lys dänmark.
– the table lamp is the mod. Bc.1
– the lamp can be adjusted in all directions by the bending hairs
– the condition of the table lamp is very good
– usable with halogen or led lamps this piece has an attribution mark,
i am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution,
european plug (up to 250v).the wiring of this item may be original and might need replacement, if not specified otherwise.

19th Century French Napoleon III Hand Painted Faience and Bronze Oil Lamp has been converted into an electric table lamp. Crafted in France, circa 1880s, the hand painted porcelain “lampe a petrole” sits on the heavy bronze doré base and is a splendid example of faience hand painted with floral motif. This faience lamp is in excellent condition with new wiring.
Newly electrified, and including hand-sewn silk shade!
Circa 1880s ~ measures 31H x 18 in diameter including shade.
Signed by the makers, Thiébaut Frères who began operating a foundry in Paris beginning around 1851 thanks to Victor Thiébaut, in order to produce works of art. Initially casting raw bronzes for other founders to finish, Thiébaut went into partnership with several famous sculptors: David d’Angers, Carpeaux, Falguière, Carrier-Belleuse, Paul Dubois and Pradier. The factory also made vases, cups and fireside accessories, as well as monumental pieces, such as Saint Michel striking down the dragon designed by Duret for the Saint-Michel’s fountain in Paris. A Dumont of Napoleon I was designed for the Vendôme column. Thiébaut gradually became blind so that by 1870, his three sons, Victor (1849-1908), Jules (1854-1898) and Henri who was also sculptor (1855-1899) became the heads of the firm. During that period the company took part in many exhibitions and made literally tons of outstanding monumental works: Gloria Victis by Mercié, a monument devoted to the Defense of Paris by Barrias, a statue of Alexandre Dumas Père and the vase called Le Poème de la Vigne now located in the San Francisco Museum, both made by Gustave Doré. The list goes on and on! Eventually Victor Thiébaut split his firm. He associated Fumière and Gavignot and created a subsidiary company called “Thiébaut Frères, Fumière and Gavignot Successeurs. This subsidiary company was located on the l’Avenue de l’Opéra. At that time, works were marked “Thiébaut Frères, Fumière and Gavignot Successeurs”. In 1898, Rodin signed a contract with this company regarding the casting of two of his works in different sizes: Saint John the Baptist and Triumphant youth. Finally in 1901, Victor Thiébaut sold the firm to Gasne and retired.